HSU Opera Workshop’s Musical Discoveries

Audiences for this spring’s HSU Opera Workshop concerts on March 28 and 29 will be among the first to experience recently rediscovered music from Portugal, including excerpts from a satirical opera never before heard on the West Coast.
Image

“Every second spring the Opera Workshop explores a special topic within the genre of dramatic vocal music,” explained the ensemble’s director, HSU Music professor Elisabeth Harrington. This year’s concert results from the work of music scholar Dr. Ricardo Bernardes, who has “unearthed and edited selections of Portuguese vocal music and agreed to make them available for our performance.”

Among his discoveries is an 18th century operatic farce that he found in a Washington archive. He provided his edited excerpts to the Opera Workshop for this music’s West Coast premiere.

Entitled “A Saloia Namorada,” it’s about “a country girl in love,” Harrington said. “Themes include patriotism and the perennial ‘neutral ground’ for all operas: love triangles!”

Authenticity is aided by soprano Ana Cruz, who is completing her HSU degree in Vocal Performance. “A native of Portugal, Ana has been the diction coach for the opera class this semester,” Harrington said.

Harrington will be among the 13 singers in the concert. John Chernoff accompanies on harpsichord, with Kinu Manabe on bass.

Humboldt County brass player Gregg Moore, who taught music in Portugal for ten years, performs with Ana Cruz on two pieces in the genre called Fado. With origins in the 19th century or earlier, Fado (“fate” or “destiny”) is a popular Portuguese song style, recently added to the UNESCO Intangible Cultural Heritage list.

HSU Opera Workshop performs on Friday and Saturday, March 28 and 29 at 8 p.m. in Gist Hall Theatre on the HSU campus. Tickets are $10, $5 seniors and children, and $3 HSU students, from the HSU Ticket Office (926-3928) or at the door. Produced by the HSU Music Department.